Before Troubled Blood was published, one thing I was really hoping for was a chapter where Robin begins to reflect on her feelings for Strike, in the same way that Strike first does in chapter 40 of Career of Evil. I would often discuss with my fellow Strike fans the desire for a ‘Robin version’ of chapter 40, so I was thrilled when I finally got to read chapter 45 of Troubled Blood and realized my hope had come true. (As a brief reminder, Robin is in Leamington Spa in search of Paul Satchwell when a case of mistaken identity leads her to reflect on her feelings for Strike.) 

When it came time to record the episode of the podcast that would cover chapter 45 (It’s All Greek to Me), I began to think about the similarities of these two chapters and realized that it’s not just that they’re both somewhat acknowledging their feelings, but that there are parts of each chapter that are directly comparable to the other. Deciding a further comparison was needed, I opened up both of my books and set them side by side.

Here is what I found:

They both think about what the other has done for them professionally: 

“She had helped him claw his way out of near insolvency, worked to make his business successful, learned on the job and now asked nothing more than to be allowed to stand beside him while that business crumbled again, and to fight for its survival.” Career of Evil, Chapter 40

“She’d worn a deep channel on the beach as she walked up and down in the dark, finally deciding that the answer was “no,” that what she felt was a mixture of friendship, admiration and gratitude for the opportunity he’d given her to embark on a once-dreamed-of career, which she’d thought was closed to her forever.” Troubled Blood, Chapter 45

They both have “if I’m going to be honest” moments:

“Robin’s helpfulness, her solicitousness, her fascination with what he did, her admiration for him personally (if he was going to be honest with himself, he should do it thoroughly) had been balm to those wounds that Charlotte had inflicted, those internal injuries that had long outlasted her parting gifts of a black eye and lacerations.” Career of Evil, Chapter 40

“In truth (why not admit everything to herself now, when she was so tired, her defenses lowered?) she was aware of only two moments in four years where she’d been sure that Strike had seen her as a desirable woman, not as a friend, or an apprentice, or a younger sister.” Troubled Blood, Chapter 45

They both mention the other’s physical appearances: 

“She was nowhere near as beautiful as Charlotte.” Career of Evil, Chapter 40

“…and nowhere near as handsome, with his broken nose and hair he himself described as “pube-like,” as Matthew, or even Morris…” Troubled Blood, Chapter 45

They both make a list of cons (starting with ‘almost’): 

“Almost angrily, he added together those things he knew and had observed that marked her as profoundly different from him, as embodying a safer, more cloistered, more conventional world. She had had the same pompous boyfriend since sixth form (although he understood that a little better now), a nice middle-class family back in Yorkshire, parents married for decades and apparently happy, a Labrador and a Land Rover and a pony, Strike reminded himself. A bloody pony!” Career of Evil, Chapter 40

“Almost scared now, she forced herself to think about how bloody aggravating Strike could be: grumpy, taciturn and ungrateful, and nowhere near as handsome, with his broken nose and hair he himself described as “pube-like,” as Matthew, or even Morris…” Troubled Blood, Chapter 45

They both have a “that was all” moment: 

“She’s making a fucking huge mistake, that’s all.

That was all. It wasn’t personal. Whether she was engaged, married or single, nothing could or ever would come of the weakness he was forced to acknowledge that he had developed.” Career of Evil, Chapter 40

“She liked her partner; she admired him; she was grateful to him. That was it. That was all.” Troubled Blood, Chapter 45

They both reflect back on special moments: 

“He could remember exactly what it felt like to have his arm around her waist as they had meandered towards Hazlitt’s Hotel. She was tall enough to hold easily. He did not like having to stoop. He had never fancied very small women.

Matthew would not like this, she had said.

He would have liked it even less had he known how much Strike had liked it.” Career of Evil, Chapter 40

“The first had been when she’d modeled that green Cavalli dress for him, in the course of their first investigation together, when he’d looked away from her as a man would if shunning too-bright light.” Troubled Blood, Chapter 45

“The second moment, far more painful to remember, had been when she’d stood at the top of the stairs at her wedding venue, Strike below her, and he’d turned when she called his name, and looked up at her, the new bride.” Troubled Blood, Chapter 45

And the moments of “yet” and “except”: 

“Yet he liked her face. He liked her voice. He liked being around her.” Career of Evil, Chapter 40

“Except… she remembered how much pleasure it had given her to see him sitting in Notes Café, after a week’s absence, and how happy she was, no matter the circumstances, to see Strike’s name light up her phone.” Troubled Blood, Chapter 45

So, what could this all mean for The Ink Black Heart? Given the clear parallels between Career of Evil and Troubled Blood,  looking at The Silkworm for possibilities is a good place to start. 

My favorite chapter of The Silkworm is chapter 30 where Robin confronts Strike in Burger King about what he was intending when he hired her permanently. Robin is feeling insecure about her place with Strike and whether or not he wants her as a partner. Is it possible that we’ll see something similar in The Ink Black Heart in a romantic setting instead of a professional one? 

Another chapter that has parallel potential is chapter 50, the final chapter of the book. Strike and Robin become official partners when he gives her the gift of a surveillance course, he calls her ‘partner’ and seals it with a kiss (to the hand). I’m very much keeping my fingers crossed for the other kind of partners in The Ink Black Heart and for another kiss (not on the hand). 

Let me know what you think in the comments below! Do you see any other comparisons between chapters 40 and 45? And what chapters in The Silkworm do you think might make great parallels in The Ink Black Heart


9 thoughts on “The 40/45 Comparison and What it Could Mean for IBH

  1. Can’t tell you how many times I’ve had all these exact thoughts about all those exact passages.
    I try not to ponder too much about what I HOPE will happen in IBH… I don’t want to be disappointed by my own projections and wishes.
    In the mean time ‘and, oh-by-the-way’ I love listening to you guys on your podcasts. I know you can’t hear me but I talk to you all the way throughout them…

    1. I know exactly what you mean. I think I do pretty well with managing my expectations and hopes. Thank you so much. 🙂

  2. Very nice. “She was tall enough to hold easily”, seven words I already knew but had forgotten and now make my heart ache. Do the holding, Strike! In terms of parallels I tend to feel a bit lost, it makes sense to me when people talk about it, but I just can’t see it for myself. What I am expecting is a resemblance to HP6 (Half-blood Prince). The universe is established, a lot of growing has been done and now comes a time of revelations, of looking towards the past with fresh/other’s perspectives. I feel like we’ll see the “All or nothing” (Strike, TB 58) unfolding and, by the end, nothing will ever be the same as it has been for them. Also, HBP and IBH sound kinda similar and both feature the colour green heavily on the cover, which I think bodes well when we’re talking JKR. I’m not the first or the best to point these out, but it’s what I got. That and a LOT of anticipation for Strike 6. Maybe you can tell. x

  3. One other thing they have in common is their reason for hesitating. Strike fears things going wrong, being left by Robin. Robin fears him “lumbering away like a startled bison” if she reveals the depth of her feelings for him. They each fear rejection by the other, and the resulting personal/professional awkwardness. It’s not that there’s no mutual attraction, as even Strike admits to himself in TB. It’s that they are both, at present, letting their fears of failure keep them hobbled.

    I’ve wondered whether TIBH will force them past this logjam by placing one or both of them in a life-or-death situation, one in which a two-way confession seems like something each of them WANTS rather than fears.

  4. This is so great! I can’t believe I didn’t see it till you pointed it out. It also makes me want a similar section like in Career of Evil when Strike thinks about how much he likes making Robin laugh. I want something like that but the other way around! That would be too cute!

    Also there’s another chapter in Career of Evil where Robin thinks about Elin and reflects that if she hadn’t turned up to the office one day she might not have known about her till Strike showed up to work one day wearing a wedding ring. I really hope that this is foreshadowing to the fact that he will but not in the way that Robin thinks. It’s cos he’s Mrs Ellacott

  5. I love the in-depth comparison here, not only because it’s great on its own, but also because it gives me a reason to reread to look for similar comparisons.

    Also, this line jumped out at me: “He did not like having to stoop.” Strike wants equality in a relationship.

Leave a Reply

Dont forget to leave a comment! We would love to hear what you think!